Joe’s Post #74
Thing is, it’s not like there’s a right or wrong answer here. No really. It totally depends on the writer. Both ways – outlining or not outlining – have their good and bad points. Very quickly…
No Outlining – More creativity. Easy to get into the flow of writing scenes. Maximum inspiration. See Writer’s Digest take on it. Downside – You will need to rewrite the whole novel – sometimes more than once – unless you’re super amazing (and there are writers out there like that). It’s a TON of work to rewrite a whole novel. Like remaking a piece of Ikea furniture without instructions and forgetting to attach the noobler to the wookweiner. And then redoing it again cuz like you forgot the wankdinger has to slip inside the bagvik. Yuck, right?
Outlining – Easier to keep a complex plot organized. All sorts of wrongish things can be spotted and fixed. See Joseph Finder‘s take on it. Downside (a big one) – it can suck the life out of your desire to write that story. Like writing Ikea instructions. In your own blood. While it’s raining. It’s hard, blood-soaked work. And isn’t writing supposed to be fun?
Now, I’ve tried both outlining and not outlining, but for the last novel, I settled on a hybrid make-a-rough-outline-then-write system. Sort of like a Frankenstein’s monster that tried to marry creation and order.
That system, which I have dubbed, the ‘it looks like someone threw up sticky notes all over my table’, resulted in a surprisingly hole-filled plot. Oh, I remember the critique well. “Joe, you forgot about Blahblah the Dorfmaster who appeared on page 67 and then was forgotten.” Or, more embarrassingly, “You have no ending. No climax.” Or “You forgot to bring coffee to the critique session.”
Not good. Not good at all.
Now all of these things, (and many, many more), I could have solved by a more detailed outline… but a detailed outline that SOMEONE ELSE READS.
That’s why we’re looking at doing up a detailed outline for our next big 5/5/5 meeting. It’s one thing to write out one of those things, to go through it yourself and try to spot errors or omissions or a propensity to overuse the word ‘blood-soaked’, but another thing entirely to have someone else look at it. Where are the high points, the low points? Is there action or tension or sex in enough scenes? Have I lost a character or two in the journey? Is my plot so tight you could bounce quarters off it?
See, none of us have done a detailed outline and shared it. The hope is that by doing so we’ll learn a little more about plot, character, story-telling, emotion, pacing… well, pretty much everything. I’ve been fortunate enough to critique an outline by a great outliner and have found that I can often get a better idea of the story than if I read the whole novel and certainly better than reading 30 page chunks at a time. It’s like looking at the whole pizza and seeing if it needs more cheese, or pickles or whatever. It’s way easier than judging it from just one bite (or 50 bites over a year).
Who knows if we’ll all turn into dedicated outliners? I suspect Silk will never be one as she is such an amazingly creative person. I suspect Paula, having done such a great job with her last novel, will continue to outline as a way of keeping her from running after shiny new things. Karalee and Helga could go either way.
Me, I’ll just be happy to try something new.
What I hope, though, is that I’ll become a better story-teller like the guys who wrote Up. Sadly, I’m still a lot more like Dug the dog.